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QUILTID-19, Part 3: Rows of Magenta and Orange
The photo above shows all of the blocks that will make up this quilt. I’ve taken my many, many cut squares and sewn them all into pairs of triangles.
Now I’m faced with the true challenge of arranging the blocks. This is not at all an exact science, and my only basic rule is that two triangles from the exact same fabric cannot touch. Beyond that, I want the layout to be random but visually pleasing. This means no big clumps of one color or pattern, a good distribution of my white and gold “sprinkle” accent fabric, and a gradual transition from one color group to the next.
In practice, this means a lot of placing fabrics down and then blurring my eyes, looking squintily at the quilt to make sure I’m not missing any odd repeats or off sections.
This stage is creatively taxing but also so full of reward, because I’m finally building a quilt: not just a pile of squares, but a cohesive unit.
Laying out the blocks on the table and seeing them all together is a great preview, but seeing them all sewn together is 100 times better. The lines are so crisp and clean, and most of my points line up! Row by row, it’s all coming together.
Click here to see all the posts about my Quarantine Quilt, QUILTID-19.
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QUILTID-19, Part 2: Assembling Blocks
As you can imagine, self-isolation translates to some of the fastest progress I’ve ever made on a project of this magnitude. I’m hopeful that I’ll actually finish this quilt in a reasonable amount of time (or at all… it’s much more fun to start quilts than it is to finish them). But I’m making lots of progress and keeping momentum.
Now that all my squares are cut, it’s time for the fun part: sewing my HST blocks. In my first QUILTID-19 post, I laid out some blocks to start to visualize the layout and decided that I do want to aim for a rainbow gradient approach. So the majority of my HST blocks will be pairs of the same color: pink-pink, orange-orange, etc. But there will also be a smaller number of blocks that I’m calling “bridge blocks”, whose two triangles are from different but adjacent color families: pink-orange, orange-yellow, and so on.
I made lots of stacks and began methodically pairing fabrics to make sure I didn’t end up with a bunch of identical blocks. In the end, there will be 2 or 4 of each block in the quilt, since each of the squares makes two identical HST blocks. With a total of 270 blocks, that means there’s a lot of different blocks! I love math, but I never liked statistics… but this was a permutations problem for sure.
I chain-pieced my way through the stacks. Chain piecing is fun because you don’t cut the thread in between blocks – you just keep sewing, and the thread makes a chain connecting them all. It’s nice and fast. Of course, 270 blocks, so it still takes time, but it’s efficient.
Here’s a preview of the quilt idea on a small scale. I’m excited about one addition: at the last minute I decided to add this ivory + metallic gold “sprinkle” print. There aren’t too many of these blocks, but just enough to add some contrast and make the bright colors pop even more.
Next: pressing the blocks flat, trimming them square, and laying out the quilt itself!
Click here to see all the posts about my Quarantine Quilt, QUILTID-19.
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QUILTID-19: Quilting in Quarantine
Disclaimer: “quarantine” is technically not the right word because I am not sick, thankfully. But sewing a quarantine quilt sounds so poetic, doesn’t it? Megan of Designing an MBA wrote a really fantastic blog post a few weeks ago about making “art babies” during self-isolation. Yes, it’s a weird way of putting it, but her post really resonated with me as permission to start a BIG project. Especially with the very likely possibility of staying home for multiple weeks, I knew a big project would keep me motivated, healthy, and clear-headed.
So as soon as the stay-at-home order began, I began pulling fabrics for the quilt that’s been rattling around in my brain for quite some time now.
I have many fabrics that I just love, especially my happy/cutesy Japanese prints, and sometimes I worry I’ll never get the chance to use them all. I’ve long considered a quilt to show off my favorite prints, and I realized there will be no better time: this is my art baby, QUILTID-19.
I’ve been saving aspirational quilts to my quilty Pinterest board for years, but these are the three that inspired me most for this project:
I made stacks and stacks of fabric, combing through all of my cottons for everything bright. I’m aiming for super saturated jewel tones. I ended up excluding the blacks and grays of my initial pull, as well as green, sticking to five main color groups: hot pink, red-orange, yellow, turquoise, and cobalt.
I did so much ironing, and then I cut squares for hours. Quilting is tedious but it’s also fun because so many of the steps are mostly mindless. And I’m using fabrics I really, really love, so it feels great to get to work with them.
The most consistent theme of my quilty Pinterest board is TRIANGLES. I am strongly drawn to triangle quilts and have always wanted to make my own. I’m still somewhat intimidated by the thought of lining up the points on equilateral triangle quilts, and I didn’t want to have to worry about cutting out something other than squares, so this time it’s half-square triangles (HSTs for those in-the-know).
Before I could start sewing blocks, I had to make one more big decision: random, like inspiration image #3 above, or rainbow gradient like the Alison Glass quilt (#1)? I was strongly leaning towards random – it seemed easier and more fun – but I laid out some sample squares to check my gut. And I’m so glad I did. The picture above shows the drastic difference in impact between the rainbow-sorted blocks on the left, and the random blocks on the right. Rainbow wins, hands down.
Finally, with most of the planning out of the way: the sewing can begin.
If you’re working on an “art baby”, I’d love to hear about it! And of course, if you’re making your own QUILTID-19… please share!
Click here to see all the posts about my Quarantine Quilt, QUILTID-19.
